Brand Manual for German News Media Brand

My Brand Guidelines for WELT

Client
WELT
Timeline
January 2023
Scope
Brand DesignGuidelinesSystems
Brand Manual for German News Media Brand
Strong brands don’t happen by accident: they grow through thousands of decisions.

During my time at WELT from 2019, I worked across UI and motion design, translating the brand’s visual language into apps, broadcast graphics, and other formats. Working with the brand team, I also helped develop practical guidelines for colleagues and external partners.

The 2023 Brand Manual brought these rules together to support consistent design decisions across everyday production.

TV mockup

The manual provides a practical framework for applying WELT’s identity across print, TV, and digital products.

One brand. Many touchpoints.

WELT shows up everywhere: television studios, apps, websites, print products, social media, and physical merchandise. In a fast-paced news environment, consistency can quickly break (and very often does) not because people don’t care, but because teams need answers that work under pressure.

The goal of the Brand Manual was to reduce ambiguity and speed up confident decision-making. It brings the essentials into one coherent system:

  • 01precise logo usage and edge cases
  • 02color logic across print, screen, and broadcast
  • 03typography rules that scale from headlines to UI
  • 04naming conventions and writing style across products
  • 05a structured product-logo ecosystem
Project image
From rules to a usable system

The centerpiece is the WELT logo - including the characteristic lowercase “e” - treated as a system, not just a mark. The guide defines when to use the positive, negative, or tile version, and makes the don’ts explicit (no recoloring, distortion, decorative misuse, or improvised tiles). This matters because the logo appears in countless contexts, often produced quickly, often by different teams. Clear guardrails protect recognition.

Project image

Color is handled with the same intent. WELT Blue remains the anchor, supported by WELT Orange as an activating accent and a structured set of secondary colors for charts, formats, and thematic content - with values that hold up reliably across media.

WELT-Blue

Primary

RGB 0, 58, 90

WELT-Orange

Accent

RGB 241, 136, 37

Blue-Light

Secondary

RGB 36, 110, 167

Greige-Fond

Fond

RGB 237, 236, 232

Türkis

RGB 0, 114, 143

Koralle

RGB 232, 70, 30

Sky-Blau

RGB 66, 140, 229

Lila

RGB 136, 54, 191

Text on base colors

Contrast for black and white text. AA for normal text requires at least 4.5:1.

WELT-BlueBlack · 1.75:1 · Below AAWhite · 11.98:1 · AA
WELT-OrangeBlack · 8.29:1 · AAWhite · 2.53:1 · Below AA
Blue-LightBlack · 3.86:1 · Below AAWhite · 5.44:1 · AA
Greige-FondBlack · 17.76:1 · AAWhite · 1.18:1 · Below AA
TürkisBlack · 3.80:1 · Below AAWhite · 5.52:1 · AA
KoralleBlack · 5.33:1 · AAWhite · 3.94:1 · Below AA
Sky-BlauBlack · 6.11:1 · AAWhite · 3.43:1 · Below AA
LilaBlack · 3.33:1 · Below AAWhite · 6.31:1 · AA

Typography adds the editorial voice: a modern, clear grotesk for precision paired with a display serif for weight and storytelling - with concrete usage rules so the system works for everything from TV graphics to digital UI and long-form text.

Typeface Specimen

Mark OT

WeightsMedium, SemiBold, Bold
DesignPremium Editorial
Naming is part of the brand

One high-impact chapter for a newspaper is language: how we write WELT, how we refer to all the products - and where exceptions exist for readability in business contexts. These details aren’t “nice to have.” For a media brand that lives in words, consistency in naming is as important as consistency in layout.

MacBook mockup

The manual includes practical downloads (logo packages, templates, email signatures, backgrounds) and clear contact points for approvals, questions, and special cases - designed to support everyday work across departments and external partners. It’s a living system meant to reduce friction, not add it.

Sometimes the most impactful design work isn’t the loudest. It’s the structure that makes everything else work smoothly - and keeps a brand strong, even when production moves fast.

Motion Guidelines for TV Interfaces

More to share soon!

Benedikt Schnupp

Senior Designer & Developer based in Berlin, crafting digital experiences.

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© 2026 Benedikt Schnupp. All rights reserved.
Berlin, Germany